Sunday, June 1, 2014

Taking pictures of lightning

The whole idea is to have the camera taking a picture all the time. That way you will get the lightning whenever it strikes randomly.

To do this, you have to set the camera to take very long exposures. You set the ISO very low, 50-200, the F-stop very high F16 or higher, and the speed to 30 seconds or if your camera has it bulb. If you're using bulb you can to hold down the shutter button for one or two minutes.

The reason this works it's because lightning is brighter than the Sun. And you are taking the picture for a very long time. So when the lightning strikes, you are already taking the picture, and since the lightning is so bright you get the lightning. If the exposure is a real long time, say a minute and it hasn't lightning'd yet, you just stop the exposure by letting go of the shutter release and then you start a new exposure. Most cameras do not have speed settings longer than 30 seconds. That's why I use bulb. I have a shutter release that has a lock on it so when I press it in bulb mode the exposure is continuous until I release the shutter.

You can test how your exposures are doing by stopping the exposure after one or two minutes and take a look at the picture. My picture includes a house and trees across the street and you may want to see them but I like to keep them dark.  So adjust the exposure by adding more/less time.  A good lightning shot can have some sky showing.  So adjust exposure accordingly.



Let me know if you have any questions.  Try it, it's not rocket science, it's just technically setting up the camera and some luck of the strike.

Mike

Friday, June 4, 2010

Shooting wedding advice I recently gave a new wedding photographer

I know you have a good Nikon camera although I don't remember which one.  So I assume you have a good Nikon flash that you are using.  Remember that the flash is on top of the camera.  I also assume you don't have one of those stroboframe flash holders to keep the flash top centered when taking vertical pix.  So ALWAYS make sure the shadow from the flash is in the back of the head for verticals.  Horizontals are always good.  I've considered always taking horizontals so the flash shadow was always good and then cropping the real verticals later.  Never had to cause I broke down and bought the stroboframe thingy.

ALWAYS have the flash on (indoor and out) and be mindful of flash recycle times.

With the Nikon D300 I use iso 800 for everything, besides higher apertures for more infocus, you get faster flash recycle times.

If you're doing indoor and outdoor shots then use program ("P") not my usual aperture("A") mode because then the camera and flash won't screw up the exposure in either place.  Screw ups usually take place outside on a bright sunny day.  If only indoor, the I use aperture like I always do at 5.6 or 8.

I DO NOT change any of my settings during a wedding because I'd forget and screw things up later.

I only use my studio lights for the alter shots, that's it, no time at the reception or you'll miss important stuff.  It does make a huge difference at the alter.  I used to allow customers to request me set up a portrait studio with my studio lights at the reception, but no more, I missed the cake cutting once cause I did what the bride said and then she complained.  Keep your eye on the prize, the BRIDE and the groom a little, mostly the bride, follow her around all night.  And shoot the little kids playing around, they are sooooo cute.

Saturday, March 27, 2010

I'm Beta Testing Photoshop CS5

Here's a sample of something I did with Photoshop CS5.  It didn't work with CS4 so this a a great improvement.  I know this is not an extreme example, but it's nice that the CS5 team has improved this result.


Result:




3 source files:









Monday, February 15, 2010

CrashPlan -- Multiple Automatic Backups

When owners of Apple Time Capsules suffered widespread failures of the device after a year and a half of use, the company replaced the out-of-warranty machines for owners with an AppleCare contract covering their Mac. A faulty power supply rendered the hard disk inaccessible.
But the solution didn't recover the data, just replaced the Time Capsule, proving that your Plan B disaster recovery strategy is only as good as your Plan C.

CrashPlan (http://crashplan.com) offers you a Plan B like any other online backup service, but it also offers a Plan C, Plan D and more through its free backup software. We chatted about the service with Elvin Loomis recently to learn just how it works.

ABOUT CRASHPLAN

As Code 42 Software, the company has been in the enterprise backup business for about 12 years, Loomis told us, providing secure backups to companies like Apple and Target. During the last year, the company has expanded into the personal backup arena, primarily to stress test their systems for large customers.

To do that, it is giving away its Java-based backup software. You can download it from http://crashplan.com/download for Mac, Windows, Linux or Solaris systems. Any machine built within the last four years should be able to run it, Loomis said, although it requires 500-MB of free RAM to run quickly in the background. The code also includes a software daemon that runs in the background.

While you can use the software locally without charge, there is an annual service plan available for backups to the company's cloud of servers. The servers are safely lodged in an underground vault, which is growing at 100 terrabytes a week at the moment, Loomis disclosed.

The plans include the unlimited Individual Plan for $54 to backup unlimited data from one computer for a year and the unlimited Family Plan for $100 a year to backup every computer in your household. The company also provides a CrashPlan Pro solution for corporate enterprises and builds backup appliances (high-capacity RAID servers, that is) for onsite deployment.

In short, this isn't beta software from a startup. It's a mature application from guys who know this business inside out.

STRATEGY

What most interested us about the free CrashPlan backup strategy is that you aren't restricted to backing up your critical files to one location.

You can use the software to automatically backup to an external drive, a network attached server, a friend's computer or anything else you can see on your desktop. That's Plan B, Plan C, Plan D and so on.

SOFTWARE

The software itself is particularly straight-forward for a backup utility. Backup utilities tend to be so technical and confusing that you feel you should take a few college courses in the subject before setting any preferences.

But the CrashPlan software is nicely arranged in Backup, Restore, Settings, History, Friends and Destinations panels.

Backup asks for your destinations and which files you want to copy there. You can indeed backup everything (although the program is designed for file backups, not bare metal system backups). Typically, Loomis said, users just backup their data files.

If you have over 100-GB to protect, CrashPlan will send you a 1-TB hard drive for $125 (or $145 with two-day delivery) so you can expedite the first, long backup.

That huge RAM allotment is used to intelligently parse and encrypt changed data using a 448-bit Blowfish cipher so it can be immediately and automatically backed up. Loomis explained that the program does not backup the entire revised file but only the parts of it that have actually changed. That's unlike most backup programs which note the file was modified and backup the whole file.

While the program does a lot work, it also can get out of the way quickly, Loomis said. The Settings panel lets you decided how quickly, letting you set CPU usage when "user is away" or "present," bandwidth limits and what priority it has over your connection. Being able to throttle CrashPlan's performance is better than crippling your backup strategy, which is the only option with most software.

Restore options include the ability to immediately overwrite current files which, Loomis noted, saves him a reboot when he changes a code library for the worse. He simply restores the library and gets back to work.

The FAQ (http://support.crashplan.com/doku.php/faq) explains everything from the program's color scheme to the type of encryption used and even includes advice on backing up Aperture files.

A SHORT TEST

We downloaded the 14.4-MB program and installed it for a brief test. It impressed us, from the start, as well built and attractive (although it does display a couple of small ads unobtrusively).

On startup, we were prompted to create a free account (our password strength was reported in a small but effective graph) which includes a 30-day free trial to the company's online backup service.

After creating an account, we were taken immediately to the Backup panel where our home directory was scanned. Destinations included CrashPlan Central (free for 30 days), Friend (free), Another Computer (free) and Folder (free to an external drive). The Backup Sources option lets you invite friends to backup to you, generating a backup code automatically.

The program does access CrashPlan's servers to find your destinations, otherwise a local connection is straight-forward. Scanning our home directory took a while, but no longer than our usual backup process takes.

CONCLUSION

The automatic aspect of the program is one of its more compelling features. As the FAQ puts it, "The problem with traditional, manual backup is that it is, well ... manual. That means people forget to do it and inevitably lose data." This is backup you don't have to think about.

CrashPlan isn't the only automatic backup program, of course. Western Digital also ships automatic backup software with its latest generation of hard drives.

But CrashPlan's automatic multiple destinations is special. We may have qualms about connecting to the server to manage destination addresses, but otherwise we were impressed by the program's design and robustness. Not to mention the company's expertise.

In short, CrashPlan sounds like a Plan. More than one.

Tuesday, July 21, 2009

Canon 5d shutter super slo mo!

If you've ever wondered what a slr looks like inside when you take a picture, take a look at this.  Or if you're just curious.

Wednesday, June 3, 2009

Entrance fees at 147 national parks and monuments will be waived on three weekends this summer

The National Park Service is looking to stimulate summer vacations at national parks.

Interior Secretary Ken Salazar announced Tuesday that entrance fees at 147 national parks and monuments — including the Grand Canyon and Yosemite — will be waived on three weekends this summer. The weekends are June 20-21, July 18-19 and August 15-16

Thursday, March 26, 2009

The Plainfield Art League and Plainfield Township Joint Press Release

JOINT PRESS RELEASE

 

The Plainfield Art League and Plainfield Township are proud to announce that the work of eight members of the Plainfield Art League is currently on exhibit at the Plainfield Township building located at 22525 W. Lockport Road in Plainfield. 

 

The exhibit is comprised of 30 works including pottery, photography and paintings done in watercolor and oil.  All of the pieces are available for sale.

 

"The quality of the artwork is outstanding.  There is so much talent right here in Plainfield Township," said Township Administrative Assistant Monika McMillen.

 

The exhibit will be up through the end of May.  At the end of May, new art pieces will be hung throughout the Township's administrative offices.  We encourage you to come visit the Township building during our normal business hours of 8am to 4pm to take a look at this fine art.

 

For more information on the exhibit or the Plainfield Art League, please contact:

 

Sheryl Jones

President, Plainfield Art League

815-436-4351

 

OR

 

Monika McMillen

Administrative Assistant, Plainfield Township

815-436-8308

(Note: Photos of the artwork on exhibit are available from Sheryl or Monika upon request.)
 
--
Plainfield Art League
815-436-4351
info@plainfieldartleague.org
www.plainfieldartleague.org
24114 W Chicago St
Plainfield, IL 60544

Wednesday, March 25, 2009

Mike Bessler exhibit

Mike Bessler is exhibiting his photography on canvas "Crabapple in spring" 12ftx2ft and "Nocturnal Pinks Oranged" 5ftx6ft 3d photo sculpture at the Plainfield Township Administration Office located at 22525 W. Lockport Rd, Plainfield, IL from March thru May 2009

Thursday, March 5, 2009

Congratulations to Lyn Tietz for winning a Special Merit Award

Congratulations to Lyn Tietz for winning a Special Merit Award in Du Page Art League's January Show, "The Heat is On", for her oil "Dead River Falls".  Now this is very special for me since she asked for and I gave her permission to paint my photograph from Dead River Falls Michigan.  Lyn's oil is a wonderful interpretation of my print.  Lyn is a talented painter and I personally congratulate her on her award.

Mike Bessler

Sunday, January 11, 2009

Question about flash slow sync


Hi Mike!

Hope you had a nice Holiday!!! I've been playing around with my camera and wanting to do some more photography stuff. Anyways, take a look at this pic I must have moved the camera (which I normally don't do) . I was using tripod on some shots and others I wasn't. But I think this turned out cool!

What are your thoughts on why this occurred?

Karin Fox

Reply:

It's called slow sync on your flash. It lets you take a pix with a long exposure (in a dark room) and also the flash fires at the beginning or end of the exposure. So your dog is mostly sharp because the flash stops action, and the lights were bright enough to show their multiple positions because you hand held and moved during the long exposure. Good thing you didn't have it on a tripod. Oh my gosh, did I just say that!

And yes very cool, it could be very useful to me. I've never thought about how that effect would get a better image, but this one is better.

The setting that controls if the flash fires at the beginning or end of the exposure is called "rear" or "2nd curtain". On my Nikon D300 it's called rear and automatically sets slow on also. Use rear when you want the motion to be before the main image lighted by the flash. Experiment, I shot my Christmas train coming at me and in rear mode so the Engine was perfectly sharp and the rest of the train a blur. Cool effect.

Mike

Sunday, December 14, 2008

Naperville School District 203 Teachers discount

20% discount to District 203 teachers on the first print from their digital image.  I will print your picture using the same care and technique I use for my award winning prints.  See http://besphoto.com/besphotoprinting/professionalprinting.htm.  This discount expires 08/31/2009.

--
Thanks
Mike Bessler
630-667-5174 cell
Mike@BesPhoto.com
www.BesPhoto.com

Thursday, November 20, 2008

Backing up using external drive enclosures

If you are not backing up your hard drive or are using cd's or dvd's for your backups, then read this:
 
You can buy products like this:
that include the hard drive.  This one is 250gb, enough for most people, but you may need a bigger version, there are many.
 
Or you can put your own together.  This enclosure is for an ide hard drive, the older type. 
 
SATA's need a different model, like this one:
 
You can put in your own hard drive and then plug into your usb connection and install the software and backup your precious data.  I do this every day.  Yes every day because I don't want to take the chance of a hard drive breaking and my precious data not backed up.  In fact I use my old hard drives and move all my data to my friends house (any off site location in case of fire) every 6 months in case my house burns down.  I then insert another old hard drive and start the daily backups again.

--
Thanks
Mike Bessler
630-667-5174 cell
Mike@BesPhoto.com
www.BesPhoto.com

Thursday, October 9, 2008

The color and resolution are beyond my expectations

Mike,
 
I got the prints.  I didn't unroll them completely, but I peeked at the corners and know I will be very pleased.  The color and resolution are beyond my expectations.  Can't wait to get them framed and up on the wall.  Thanks again.
 
Scott L.

Thursday, October 2, 2008

Daylight Savings Time Dates

In 2008, daylight time begins on March 9 and ends on November 2.

In 2009, daylight time begins on March 8 and ends on November 1.

Passport photo requirements

The US requires passport photos to have a size of 2 x 2 inch (visit US Department of State).

The important thing to remember about passport photos is that they should allow border inspectors to recognize you when they look at your passport. These guidelines will help you shoot and prepare photos that can be used in passports.

  • Include a full face, front view and open eyes
  • Make sure photo presents full head from top of hair to shoulders
  • Take the photo in a plain white or off-white background
  • Avoid shadows on the face or background
  • Face in photo should have a natural expression (closed mouth)
  • Photos should not include sunglasses or hats
  • The contrast and lighting in the photo should be normal

Monday, September 29, 2008

question about aperture priority

Hi Mike,
I took your Starved Rock class back in August. I actually went back there with my husband and took more pictures! The reason I'm writing is that your son Scott said that he recommends only using the aperture priority setting, never the shutter speed setting. At the time his explanation made sense, but I forgot now why he said that. Can you please refresh my memory on why it's not worth using the shutter speed setting?

Thanks and I hope you're doing well,
Jennifer R

Reply:

Thanks and yes we are doing well.

Shutter priority can cause your camera to make mistakes at high and low light. Aperture priority does not. The mistake is over or under exposure.

For example, on a bright sunny day, if you are in shutter priority and you set your shutter speed to 1/2 a second to blur a waterfall, your camera would set your f-stop (aperture) to the highest number it can, say F32. However even at ISO 100 and F32, the shutter speed will be too long and the image will be over exposed. If you use aperture priority, the image would be properly exposed, but the waterfall would not be blurred because the shutter speed would be near 1/1000th of a second.

Another example, on a cloudy day at Starved Rock in any of the canyons, where it is very dark, if you are in shutter priority, and you set your shutter to 1/1000th of a second to absolutely freeze the waterfall, your camera would set your f-stop to the lowest number it can, say F3.5. However even at ISO 800 and F3.5, the shutter speed will be too short and the image will be under exposed. If you use aperture priority, the image would be properly exposed, but the waterfall would not freeze action because the shutter speed would be near 1/2 of a second.

The important thing here is to control the image to your liking. Use aperture priority to control depth of field and blur. Depth of field is how much is in focus, ie is the foreground and subject and background in focus.

Use a high F-stop to get a lot of depth of field and a slower shutter speed, like when shooting a landscape and you want everything in focus. Use a low F-stop to get little depth of field and a faster shutter speed, like when shooting a flower and you want the background out of focus to isolate the flower.

Mike

Sunday, September 28, 2008

Starved Rock photo question



Mike, how could I have made this shot better?
Chuck G.

Reply:

First off the shot is pretty good as is. And I do like the variations of greens in the leaves.

Possibilities:
Since the tree trunk was being used as a frame on the right side (nice idea), maybe zoom out a little so there is a tience more room to the left of the falls.

Or maybe just crop off the tree trunk and then the falls would be closer to being in the 1/3's location

I also like the fallen tree at the bottom, it may have made a nice frame there.

Even though the canyon was dark, you could brighten up the entire shot and maybe add a bit of contrast, not sure

Also looks like it could use a bit of sharpening, but don't oversharpen, then edges get to looking flat.

And something we failed to mention much was scale, grand landscapes look even grander when there is something in it that shows just how large the falls are. You could have had someone in the shot at the bottom looking at the falls. Oh, I just saw the kid sitting on the dead tree on the left, almost perfect, maybe have the person be a bit more conspicuous, but to the side like he is so not to distract from the falls.

And the sharpening may not really be necessary as what i'm looking at is only 152k, very small.

One thing I've never done but wondered about was using a low f-stop to try to get the trees in the foreground out of focus, probably wouldn't look good, not sure

Hey just some ideas, it's a great shot just like it is.

Mike

Starved Rock Class Sept 27, 2008

I just wanted to be sure and tell you that Kathy and I really enjoyed our session with you and your team at Starved Rock.
 
We really enjoyed it and I learned things that I can apply, every time that I use my camera!!
 
Thanks again

Chuck G

Thanks and a question re Nikon or Canon

Hey Mike,
 
I just want to say thanks again for all the great information you have provided us when it comes to photography.  Photography is something that I have always been interested and wanted to pursue further, however time and income always seemed to prohibit that.  Now those two items are slowly becoming less of a problem, and I am looking forward to finally going forth with this.  I did have questions in regards to purchasing camera's and accessories. 
 
I noticed that you used a majority of Nikon cameras.  I got a chance to use your extra camera yesterday and was pleased with it.  However I have always been interested in Canon's.  What I am wondering is what you see to be pro's and con's of the Nikon SLR's over the Canon SLR's.  I read somewhere that the Nikon's can use almost any lens that the company has manufactured dating back to 1956 or something like that, where the current Canon's can only use lenses manufactured as far back as 1986 or around there.  Seeing as I have no collection of lenses, this does not concern me too much.  I suppose this will be a good start to my decision of which camera to purchase. 
 
Thanks again for all the help and advice you and your helpers provided.  I look forward to hearing from you and will keep in touch with questions and comments I acquire over time. 
 
Erik P

Reply:

Hey thanks for coming the the workshop and I'm very glad you learned and had a good time taboot.

When I bought my first digital slr I did not have any lenses that would fit either nikon and canon.  I did have a bunch of pre 1986 canon's, but they wouldn't auto focus and now-a-days you very much need auto focus.  I also had some of the best glass made, it was a 60mm macro for my film Minolta 7xi, probably the most advanced camera ever made, nothing today does what it could do so long ago.  The current batch of slrs depend on autofocus so they do not give you a focus screen worth anything.  My canon ftb, ae1, and a1 all had great focus screens.  But none of my digital slr's nikon d100, d2x, and now d300, have good focus screens, although in the d2x you could replace the focus screen.

My opinion is that both Nikon and Canon make excellent cameras.  Look at features per dollar that you care about.  Also look at the lenses you expect to buy over the next few years and price them.  Then let it be an economic decision.  OR figure out the canon you'd buy and play with it at the store.  Then figure out the nikon you'd buy and do the same.  Then play with them side by side.  There are basic differences in the design of each, but you have to feel them yourself.  What's important to the reviewer may not be important to you.  AND MAKE SURE you thoroughly review the cameras, look at imaging-resource.com and dpreview.com.  Look at the images they produce, they should be the same quality now-a-days.

It's important that the viewfinder is as large as you can afford.

There is a canon slr that does movies now, and the Nikon D90 does too, so look at them even if movies aren't important.

Megapixels are for enlargements, a 6mp camera can do 8x10's perfectly and I have a 40"x60" detailed print of a scene at Yosemite so megapixels aren't necessary anymore, think features and cost.  Here's the Yosemite image over my fireplace: http://www.besphoto.com/common/images/9707%20Controlled%20Burn%20of%20Yosemite,%20Yosemite%20Valley,%20Yosemite%20NP,%20CA%20fireplace.jpg

Your very welcome to call me to discuss this further.

Mike

Tuesday, September 2, 2008

Mike Besslers' Fine arts exhibit at Oakbrook Center over Labor Day weekend

By Ann Piccininni | Daily Herald Correspondent

A field of brilliant red and yellow tulips dazzles visitors' eyes as they trek across the concourse at Oakbrook Center this weekend.

The image, captured on film by Bolingbrook photographer Mike Bessler, is as striking as the beds of living flowers, fountains and gardens liberally sprinkled throughout the outdoor mall.

"That's 14 exposures that I stitched together," said Bessler. "That's why I can have it all in focus."

Bessler, exhibiting at the 46th Annual Invitational Fine Art Exhibition, a show where he won Best of Show honors in 2005, said he prints many of his digital photos directly onto canvas.

"I have a printer the size of a queen-sized bed," he said.

Several of his works feature fine, detailed close-ups that invite the viewer to see the subject in novel ways. There's an eagle's face, a pink flower, a pond's shoreline turned upside-down, the image suspended inside a raindrop clinging to a dogwood branch.

The vertical motion of a waterfall is juxtaposed with the craggy lines of a cliff and the horizontal sweep of water current below in a photo taken at Starved Rock State Park.

Sometimes, Bessler said, he embellishes his photos.

"I paint on texture," he said, pointing to the purposely broad brush strokes layered onto a photograph.

An artist who also teaches his craft, Bessler said he exhibits at only one show each year.

"This is the only show I do. I like this show. It's local for me," he said.