Friday, June 4, 2010
ALWAYS have the flash on (indoor and out) and be mindful of flash recycle times.
With the Nikon D300 I use iso 800 for everything, besides higher apertures for more infocus, you get faster flash recycle times.
If you're doing indoor and outdoor shots then use program ("P") not my usual aperture("A") mode because then the camera and flash won't screw up the exposure in either place. Screw ups usually take place outside on a bright sunny day. If only indoor, the I use aperture like I always do at 5.6 or 8.
I DO NOT change any of my settings during a wedding because I'd forget and screw things up later.
I only use my studio lights for the alter shots, that's it, no time at the reception or you'll miss important stuff. It does make a huge difference at the alter. I used to allow customers to request me set up a portrait studio with my studio lights at the reception, but no more, I missed the cake cutting once cause I did what the bride said and then she complained. Keep your eye on the prize, the BRIDE and the groom a little, mostly the bride, follow her around all night. And shoot the little kids playing around, they are sooooo cute.
Saturday, March 27, 2010
Monday, February 15, 2010
Tuesday, July 21, 2009
Wednesday, June 3, 2009
Interior Secretary Ken Salazar announced Tuesday that entrance fees at 147 national parks and monuments — including the Grand Canyon and Yosemite — will be waived on three weekends this summer. The weekends are June 20-21, July 18-19 and August 15-16
Thursday, March 26, 2009
JOINT PRESS RELEASE
The Plainfield Art League and Plainfield Township are proud to announce that the work of eight members of the Plainfield Art League is currently on exhibit at the Plainfield Township building located at 22525 W. Lockport Road in Plainfield.
The exhibit is comprised of 30 works including pottery, photography and paintings done in watercolor and oil. All of the pieces are available for sale.
"The quality of the artwork is outstanding. There is so much talent right here in Plainfield Township," said Township Administrative Assistant Monika McMillen.
The exhibit will be up through the end of May. At the end of May, new art pieces will be hung throughout the Township's administrative offices. We encourage you to come visit the Township building during our normal business hours of 8am to 4pm to take a look at this fine art.
President, Plainfield Art League
Administrative Assistant, Plainfield Township
Wednesday, March 25, 2009
Thursday, March 5, 2009
Sunday, January 11, 2009
Hope you had a nice Holiday!!! I've been playing around with my camera and wanting to do some more photography stuff. Anyways, take a look at this pic I must have moved the camera (which I normally don't do) . I was using tripod on some shots and others I wasn't. But I think this turned out cool!
What are your thoughts on why this occurred?
It's called slow sync on your flash. It lets you take a pix with a long exposure (in a dark room) and also the flash fires at the beginning or end of the exposure. So your dog is mostly sharp because the flash stops action, and the lights were bright enough to show their multiple positions because you hand held and moved during the long exposure. Good thing you didn't have it on a tripod. Oh my gosh, did I just say that!
And yes very cool, it could be very useful to me. I've never thought about how that effect would get a better image, but this one is better.
The setting that controls if the flash fires at the beginning or end of the exposure is called "rear" or "2nd curtain". On my Nikon D300 it's called rear and automatically sets slow on also. Use rear when you want the motion to be before the main image lighted by the flash. Experiment, I shot my Christmas train coming at me and in rear mode so the Engine was perfectly sharp and the rest of the train a blur. Cool effect.
Sunday, December 14, 2008
Thursday, November 20, 2008
Thursday, October 9, 2008
Thursday, October 2, 2008
The US requires passport photos to have a size of 2 x 2 inch (visit US Department of State).
The important thing to remember about passport photos is that they should allow border inspectors to recognize you when they look at your passport. These guidelines will help you shoot and prepare photos that can be used in passports.
- Include a full face, front view and open eyes
- Make sure photo presents full head from top of hair to shoulders
- Take the photo in a plain white or off-white background
- Avoid shadows on the face or background
- Face in photo should have a natural expression (closed mouth)
- Photos should not include sunglasses or hats
- The contrast and lighting in the photo should be normal
Monday, September 29, 2008
I took your Starved Rock class back in August. I actually went back there with my husband and took more pictures! The reason I'm writing is that your son Scott said that he recommends only using the aperture priority setting, never the shutter speed setting. At the time his explanation made sense, but I forgot now why he said that. Can you please refresh my memory on why it's not worth using the shutter speed setting?
Thanks and I hope you're doing well,
Thanks and yes we are doing well.
Shutter priority can cause your camera to make mistakes at high and low light. Aperture priority does not. The mistake is over or under exposure.
For example, on a bright sunny day, if you are in shutter priority and you set your shutter speed to 1/2 a second to blur a waterfall, your camera would set your f-stop (aperture) to the highest number it can, say F32. However even at ISO 100 and F32, the shutter speed will be too long and the image will be over exposed. If you use aperture priority, the image would be properly exposed, but the waterfall would not be blurred because the shutter speed would be near 1/1000th of a second.
Another example, on a cloudy day at Starved Rock in any of the canyons, where it is very dark, if you are in shutter priority, and you set your shutter to 1/1000th of a second to absolutely freeze the waterfall, your camera would set your f-stop to the lowest number it can, say F3.5. However even at ISO 800 and F3.5, the shutter speed will be too short and the image will be under exposed. If you use aperture priority, the image would be properly exposed, but the waterfall would not freeze action because the shutter speed would be near 1/2 of a second.
The important thing here is to control the image to your liking. Use aperture priority to control depth of field and blur. Depth of field is how much is in focus, ie is the foreground and subject and background in focus.
Use a high F-stop to get a lot of depth of field and a slower shutter speed, like when shooting a landscape and you want everything in focus. Use a low F-stop to get little depth of field and a faster shutter speed, like when shooting a flower and you want the background out of focus to isolate the flower.
Sunday, September 28, 2008
Mike, how could I have made this shot better?
First off the shot is pretty good as is. And I do like the variations of greens in the leaves.
Since the tree trunk was being used as a frame on the right side (nice idea), maybe zoom out a little so there is a tience more room to the left of the falls.
Or maybe just crop off the tree trunk and then the falls would be closer to being in the 1/3's location
I also like the fallen tree at the bottom, it may have made a nice frame there.
Even though the canyon was dark, you could brighten up the entire shot and maybe add a bit of contrast, not sure
Also looks like it could use a bit of sharpening, but don't oversharpen, then edges get to looking flat.
And something we failed to mention much was scale, grand landscapes look even grander when there is something in it that shows just how large the falls are. You could have had someone in the shot at the bottom looking at the falls. Oh, I just saw the kid sitting on the dead tree on the left, almost perfect, maybe have the person be a bit more conspicuous, but to the side like he is so not to distract from the falls.
And the sharpening may not really be necessary as what i'm looking at is only 152k, very small.
One thing I've never done but wondered about was using a low f-stop to try to get the trees in the foreground out of focus, probably wouldn't look good, not sure
Hey just some ideas, it's a great shot just like it is.
Hey thanks for coming the the workshop and I'm very glad you learned and had a good time taboot.
When I bought my first digital slr I did not have any lenses that would fit either nikon and canon. I did have a bunch of pre 1986 canon's, but they wouldn't auto focus and now-a-days you very much need auto focus. I also had some of the best glass made, it was a 60mm macro for my film Minolta 7xi, probably the most advanced camera ever made, nothing today does what it could do so long ago. The current batch of slrs depend on autofocus so they do not give you a focus screen worth anything. My canon ftb, ae1, and a1 all had great focus screens. But none of my digital slr's nikon d100, d2x, and now d300, have good focus screens, although in the d2x you could replace the focus screen.
My opinion is that both Nikon and Canon make excellent cameras. Look at features per dollar that you care about. Also look at the lenses you expect to buy over the next few years and price them. Then let it be an economic decision. OR figure out the canon you'd buy and play with it at the store. Then figure out the nikon you'd buy and do the same. Then play with them side by side. There are basic differences in the design of each, but you have to feel them yourself. What's important to the reviewer may not be important to you. AND MAKE SURE you thoroughly review the cameras, look at imaging-resource.com and dpreview.com. Look at the images they produce, they should be the same quality now-a-days.
It's important that the viewfinder is as large as you can afford.
There is a canon slr that does movies now, and the Nikon D90 does too, so look at them even if movies aren't important.
Megapixels are for enlargements, a 6mp camera can do 8x10's perfectly and I have a 40"x60" detailed print of a scene at Yosemite so megapixels aren't necessary anymore, think features and cost. Here's the Yosemite image over my fireplace: http://www.besphoto.com/common/images/9707%20Controlled%20Burn%20of%20Yosemite,%20Yosemite%20Valley,%20Yosemite%20NP,%20CA%20fireplace.jpg
Your very welcome to call me to discuss this further.
Tuesday, September 2, 2008
A field of brilliant red and yellow tulips dazzles visitors' eyes as they trek across the concourse at Oakbrook Center this weekend.
The image, captured on film by Bolingbrook photographer Mike Bessler, is as striking as the beds of living flowers, fountains and gardens liberally sprinkled throughout the outdoor mall.
"That's 14 exposures that I stitched together," said Bessler. "That's why I can have it all in focus."
Bessler, exhibiting at the 46th Annual Invitational Fine Art Exhibition, a show where he won Best of Show honors in 2005, said he prints many of his digital photos directly onto canvas.
"I have a printer the size of a queen-sized bed," he said.
Several of his works feature fine, detailed close-ups that invite the viewer to see the subject in novel ways. There's an eagle's face, a pink flower, a pond's shoreline turned upside-down, the image suspended inside a raindrop clinging to a dogwood branch.
The vertical motion of a waterfall is juxtaposed with the craggy lines of a cliff and the horizontal sweep of water current below in a photo taken at Starved Rock State Park.
Sometimes, Bessler said, he embellishes his photos.
"I paint on texture," he said, pointing to the purposely broad brush strokes layered onto a photograph.
An artist who also teaches his craft, Bessler said he exhibits at only one show each year.
"This is the only show I do. I like this show. It's local for me," he said.
Saturday, August 16, 2008
Wednesday, August 13, 2008
Best in Show: Pete Quimby "Ring of Fire"
First Place: Mindy Donahue
Honorable Mention: Mike Bessler "Kaanapoli Sunset"
People's Choice award: Sam King”
Friday, August 1, 2008
Best Theme: Bill Baykan —“Our Future Is In Our Past”
Glen Hoffman —“Simple”
Zaki Knapen — “IX/XI”
Valerie Lorimer — “Freedom”
Mike Bessler — “Eagle in Alaska”
Jane Pearson-Strack — “Once Upon a Time”
Judged by Susan Winebridge
Tuesday, June 17, 2008
Tuesday, June 10, 2008
Best Theme: Zaki Knapen —"Your Time Is Up!"
Sue Keller —"The Red Dress"
Jill Lawrence — "Necklace II"
Leon Krejci — "Second Prisoner"
Mike Bessler — "Lava Falls"
Catherine Gregory — "Nervends"
Judged by Bart Gunderson
Sunday, May 18, 2008
Saturday, May 10, 2008
To create this wide-angle image, Bessler took 14 different shots of the tulips, cut them into 10 36-inch square images and stitched them together.
He then printed them on canvas and created visible brush strokes on the flowers by painting them with clear acrylic. Because the photograph has so much detail, Bessler said he can print it again in any desired size.
"To me, this brings out the richness of the picture and makes it look more three-dimensional," Bessler said. "Some day -- maybe a long time from now -- I'll be able to print 3-D, but the best I can do right now is to add my texture on the outside."
For other photographs, Bessler "sculpts" them, by photographing many separate pictures of the same object and assembling them into one photograph by layering them. He used this technique with the images he took of his new pink rosebush.
"Sculpture has more depth, more shadows," he said. "Your eye just puts it all together and you don't see the spaces at all."
Bessler has shown his work at the Oak Brook Invitational and he has sold his pieces to both individuals and to corporations. Each year, he teaches photograph workshops at Starved Rock State Park in Utica.
Although both Bessler's father and uncle loved photography, Bessler said his call to the craft came at Lockport West High School (now Romeoville HS) when someone put a camera in his hands and told him to go take pictures.
"I didn't have a clue what I was doing, so I had to learn," Bessler said. "There weren't all those photography classes then." He apparently caught on fairly quickly. "I was the photographer for the 1968 yearbook. Almost all the photographs in there are mine and my friend's and we did all the layouts."
A full-time programmer and a part-time wedding photographer, the nature-loving Bessler evolved into a fine art photographer after he visited and took pictures of the Grand Canyon. He couldn't wait to get those images developed and relive that visual experience. But the resulting pictures disappointed him.
"The awe was just not there and that is when I resolved to learn how to bring home the awe," Bessler said.
He experimented first with enhancing the colors of his realistic pieces and later by creating impressionistic renderings of his images to give the feel of the original scene. Many of those images are quite large and have a sculpted feeling. Bessler now prints those images on either fine art paper or canvas.
Since he retired two years ago, Bessler has limited the number of weddings he will shoot each year to concentrate more on his fine art work. These are mostly nature pieces, especially flowers and waterfalls. The process of creating them gives Bessler immense satisfaction.
"My images are mine from the first look through the viewfinder of my camera, through the enhancing process and the printing," Bessler said. "Now I am feeling the awe."
Thursday, May 1, 2008
Kirk Kerndl —“Portrait of Juan Morales”
Pat Young —“Past Vacation Memories”
Mike Bessler —“Mayan Monkey Pot 400 AD”
Susan R. Wilson — “Iris Gardens”
Marilyn Polivka — “Isabella in the Garden”
Bill Baykan — “Charlie”
Ed Massart — “Mom’s Bike”
Judged by George Liebert
Friday, April 18, 2008
Best of Show: Maureen McKee —"Over and Over Street"
Best Theme:Glen Hoffman —"Metal Over"
Lyn Tietz —"Rocky Coast"
Leon Krejci — "Oil/Photo" (Pictured)
Linda Evans — "Cosmic Pinball"
Bill Baykan — "Over and Over and Over"
Carol Baumrucker — "Creekside"
Wednesday, April 16, 2008
You can create professional quality PDF files from almost any printable document. FREE for personal, commercial, gov or edu use! No watermarks! No popup Web ads! Now supports 64-bit Windows.
|Free Download (1.6MB) (Vista Ready) Learn More|
Click on the Free Download above and Install CutePDF. To use it, create your document in any software you already use like MS Word. Then print, but instead of choosing your epson or canon printer, choose "CutePDF Writer" and the dialog boxes lead you through where to save your new pdf.
The only issue I've had with it is that if you try to save a second time to the same name, the save says it worked, but doesn't work. You should delete the PDF file before saving a second time.
Monday, April 14, 2008
Saturday, April 12, 2008
The IMAGING RESOURCE DIGITAL PHOTOGRAPHY NEWSLETTER
Volume 10, Number 8 11 April 2008
Copyright 2008, The Imaging Resource. All rights reserved.
A few Canon PowerShot owners must have been thinking the same thing. Lucky for the rest of us, they also write software. And the really fortunate part is they've started an open-source software project (free to use, free to modify) called the Canon Hacker's Development Kit to update PowerShots with, well, cool new features.
All you need is a PowerShot that uses a DIGIC II or DIGIC III processor and an SD card.
One of CHDK's coolest features, however, is how it works. You just load it on your memory card and activate it when you want to use it. It isn't technically a firmware update at all -- it just acts like one.
It only changes the code in the camera's memory (which disappears when you turn the power off), not the actual firmware burned into the camera's programmable memory chip. So you can't hurt the camera and you can always return the camera to its original behavior just as if nothing ever happened. Cool.
So what cool new features are we talking about? How about 1) a live histogram, 2) a battery status display, 3) a Raw file format and 4) the ability to run scripts written in a version of BASIC? For starters. There are other tweaks (like faster shutter speeds up to 1/10,000 second, depth of focus display, auto bracketing, higher compression Movie mode, long exposures up to 65 seconds, ability to use the USB port to trigger the shutter), too. More about those later.
It's all made possible by the ability of these guys to write new code for the DIGIC microprocessor in the camera.
Format an SD card in the camera to wipe it clean in a format the camera understands.
The first trick is to determine the current firmware version of your camera. There are different CHDK downloads for different cameras and firmware revisions.
To do this on a PowerShot you create an empty file called ver.req (version request) in the root directory of your SD card. There are various ways to do this but the FAQ gives (http://chdk.wikia.com/wiki/FAQ) explicit instructions for Linux, Windows and Mac systems. Just make sure you don't create a text file.
Then turn on your camera in Playback mode (you can't switch to it, you have to start from it) and hold down the Set key while you press the Display key. You'll see a line like "Firmware Ver GM1E."
Once you know your model number and firmware version, visit the CHDK download page (http://chdk.wikia.com/wiki/Downloads) to find the builds available for your camera. If there isn't one, you can check the Developer's page of the project to see if one's under development (http://chdk.wikia.com/wiki/For_Developers).
Among the possible CHDK builds, there's a standard one with the basic features but there may also be a special build (http://chdk.wikia.com/wiki/CHDK#Special_Builds) that implements extended features like syncing two PowerShots to take a stereo image (http://stereo.jpn.org/eng/sdm/index.htm) or firing the shutter when motion is detected.
Once you've found a build, download it and copy it to your memory card. There are two small files (about 110K each) to each build: PS.fir and Diskboot.bin that should be copied to the root directory of your SD card. There may be other folders and files to copy, too (hiding even more goodies like scripts).
With the card in the camera, start up in Playback mode and press the Menu button. Find the Firm Update option and confirm with the OK button. Your PowerShot will reboot.
If you get a splash screen, the firmware enhancement has been successfully loaded. If the camera hangs or does not respond to the Power button, the CHDK version isn't compatible with your camera. Just open the battery door and remove the batteries to turn the camera off, stick them back in and restart. No harm done.
You can set up the card so CHDK loads automatically any time you start the camera by using the program itself to make the card bootable and then locking the card. That won't prevent images from being stored on the card. But it only works on cards up to 2-GB in size.
To access these features, once CHDK has been loaded into memory, you have to slip into Alt mode by pressing a special key (configurable in the Alt menu), usually the Print or Shortcut key. Once in Alt mode (a small ALT tag is displayed at the bottom of the screen), press the Menu key to see what you can do.
Alt mode itself is only necessary to configure your options (but you'll want to do that; even the live histogram has lots of options), starting a script and other shortcuts.
An illustrated and comprehensive list of the functions available in CHDK is available at http://chdk.wikia.com/wiki/CHDK_firmware_usage.
Here's a quick list of features (some available only in special builds):
- Raw file format. Capturing the raw data from the sensor without processing it in the camera let's you make decisions with your image editing software that are usually automated in the camera. These .CRW Raw files are not always recognized by other programs, but in a pinch you can use Adobe's free DNG Converter to change them into DNG files, which are generally supported.
- A live histogram. Based on Raw data from the sensor, the live histogram feature shows you if your highlights and shadows are properly exposed at the current shutter and aperture settings. You can use EV compensation to shift the histogram to one side or the other to improve the exposure.
- Zebra mode. In this mode, your preview will flash the shadows or highlights to indicate either insufficient or excessive exposure.
- A battery status display shows you how much power is left. Very handy as you learn about CHDK because, well, you'll be using your battery much more as you play around <g>.
- Loading a custom grid.
- The ability to run scripts written in UBASIC (see below).
- Faster shutter speeds (like 1/25,000 second).
- Long exposures (like 65 seconds).
- Depth of field calculator. When you press the Shutter button, the screen will display the depth of field and hyperfocal distance.
- Miscellaneous functions include a Calendar, Text Reader, games and more.
- Exposure bracketing. You can set both the number of shots to take and the difference in exposure between each. That lets you capture shadow detail in one, for example, midtones in the next and highlight detail in the last. Then, using any number of image editing programs, you can combine these images into one that displays a wider dynamic range than any single capture can show. You will need a tripod to do this.
- Focus bracketing. In Macro mode, depth of focus is usually very shallow. By taking a series of shots in which the focus is slightly altered, you can extend focus beyond what any single image can capture by using freeware to combine the images. You will need a tripod to do this, too.
- Higher compression Movie mode.
- Increased video recording time and length (to one hour or 2-GB).
- Interval Shooting. Take photos automatically at set intervals. Even with long exposures. You can combine the images into a time lapse video.
- The ability to use the USB port to trigger the shutter.
With CHDK running, you can automate your PowerShot with scripts written in UBASIC (http://chdk.wikia.com/wiki/UBASIC). There are a number of scripts you can download (http://tools.assembla.com/chdk/browser/branches/grand/script) to do things like bracketing exposures by number of exposures and step size, focus bracketing, intervalometer, zoom and shoot, zoom video, tele-macro mode, macro DOFstacker, HDR shooting and more.
When you've found a script you want to run, download it and copy it to your card in a folder named CHDK/SCRIPTS. Then, with CHDK running, enter the script menu, load your script and set the options before leaving the menu. In Alt mode, pressing the Shutter button starts the script (just like recording in Movie mode). Pressing the Shutter button again interrupts the script.
Want to write your own scripts? No problem, just visit the UBASIC Tutorial (http://chdk.wikia.com/wiki/UBASIC/TutorialScratchpad) to learn the language.
Besides the CHDK Wiki (http://chdk.wikia.com/wiki/CHDK), there's a forum (http://chdk.setepontos.com/index.php) where you can discuss everything from the specifics of a release to feature requests. There are sections with help on using the stable releases, creative uses of the program, script writing and shooting and processing Raw images.
In fact, the forum isn't a bad place to start your exploration of CHDK.
Use at your own risk means just that but the CHDK site posts an interesting email from a Canon tech support rep which says, "After researching this software on the Internet it appears that CHDK doesn't make any actual changes to your camera. If you delete the CHDK software from your memory card or if you choose not to activate the CHDK software on the card (or remove and replace the batteries), then the camera will behave absolutely normally -- nothing has been (or ever is) changed, so the warranty is not affected."
That's the key point. CHDK is not firmware. It's simply software that loads into memory where the DIGIC processor can execute the code on demand.
But use it at your own risk. There are no doubt good reasons Canon itself chooses not to implement some of these features.
Of course, most of these models are probably out of warranty anyway, so the issue may be moot for you.
If nothing else, CHDK breathes new life in your old PowerShot. But it isn't just for old PowerShots, with support for a number of currently available models. By providing an architecture for extending the capabilities of your PowerShot, it can keep on breathing new life into your investment. You can even do it yourself, if you learn UBASIC. And you can't beat the price, either.
Thursday, April 3, 2008
you can do this online at www.optoutprescreen.com. This will stop most of the offers, the ones
that go through the credit bureaus. It's good for five years or you can make it permanent.
Saturday, March 8, 2008
Monday, March 3, 2008
Art exhibit showcases local talent
More than 100 pieces of local watercolor, oil, photography, pottery, jewelry and mixed media will be showcased during the Alliance of Fine Art's Best of the Best Fine Art Exhibit.
Dianne Martia has found herself mesmerized with exhumation lately.
"I'm not sure why. I've only been on archeological digs in my dreams, but it has been occupying my imagination," the Darien resident said. "I'm fascinated with finding things that belonged to another era or culture."
Local artists featured...
• Mike Bessler for the photograph "Glowing Forest"
Martia has done a series of mixed-media canvasses exploring the intersection of past and present. And the gamble paid off with her piece "Exhumation of the Ring." Her work will be featured in the prestigious 16th Annual Best of the Best Fine Art Exhibit, a show sponsored by the Alliance of Fine Art for the creme de la creme of local artists guilds and leagues.
The exhibit, which will appear at the historic Mayslake Peabody Estate in Oak Brook, will run from Friday, March 21, through Sunday, May 18, when it will culminate with a reception and award presentation. Artists, special guests and local dignitaries are invited to a special sneak preview gala Thursday, March 20.
The Alliance of Fine Art is a nonprofit professional association comprised of local artists groups including the Downers Grove Artists' Guild, Elmhurst Artists' Guild, Addison Art Guild, LaGrange Art League, Lemont Artists' Guild, Naperville Art League, West Suburban Artists' Guild and Midwest Collage Society. More than 100 pieces of watercolor, oil, photography, pottery, jewelry and mixed media will be showcased. Entries were chosen among award winners at the guild or league level, so organizers call the selections stellar.
"My piece is a composite mixed media collage," Martia said. "There's a combination of images that represent artifacts that might be found during an exhumation. There's a picture of a ring, a landscape that shows where the site might have been and a partial writing from a notebook that describes what a person found."
The ring is displayed against a ruler to appear like a specimen being measured.
"Exhumation of the Ring" received recognition at the Naperville Art League show, and a second piece, a mixed media waterscape called "The Passage," won second place at the Downers Grove Artists' Guild contest.
"None of my pieces are very literal, and I try to allow the viewer to come to their own conclusion," Martia said. "I use symbolism and ambiguity to evoke a sense of timelessness. It often raises more questions than it answers."
Nancy D'Agostino, "Best of the Best" chairperson, said the show highlights prominent notable local artists and promotes art in the suburbs.
"Generally you'd have to go to Chicago for something of this quality, so there's quite a buzz," she said. "The caliber of artists out here is phenomenal, and exhibits like this show people how much talent is in their own backyard. I think the public will really enjoy this, and all the artwork will be for sale, so it's a good chance to get something more unique than a mass-produced print."
The Alliance of Fine Art has secured Rolf Achilles, curator of the Smith Museum of Stained Glass Windows at Navy Pier and art history and theory professor, to judge the show.
"He's top-notch," D'Agostino said. "Critique for an artist is an important thing, and it'll be nice to have feedback from someone at his level."
According to Martia, the exhibit is a huge honor for featured artists.
"This is a big deal. It's such an opportunity," she said. "And the chances for networking are endless."
The Alliance of Fine Art supports cultural events which stress awareness, appreciation and enjoyment of quality art and contribute to community enrichment. The organization is staffed entirely of volunteer artists.
"We're running around making badges and tags, measuring the room and figuring out how to hang the show," D'Agostino said. "It's a really exciting time backstage to see this all come together."
For more information, visit www.AllianceOfFineArt.com.
Saturday, March 1, 2008
Tuesday, February 26, 2008
You copied your pictures onto your computer and your computer stops working. Where do you go?
You format your memory card or hard drive, and then remember you forgot to copy your pictures to a safe place before formatting. Who can help?
I use state of the art software and hardware tools to recover your pictures from failed memory cards and hard drives. When needed, I can send the hard drive out for a higher level of recovery.
Many times the failure is temporary and caused by not formatting your memory card. Many people just delete pictures off their card and then reuse it. Over time, this causes the memory card to fail. I've been asked to recover pictures where the failure was caused by problem many times. Often the pictures are still there, but the camera and the computer cannot get to them. That's where I use my software and hardware to recover the pictures.
If you are experiencing problems with your camera from time to time and you can get your pictures off, then format the memory card with the camera (not the computer) and that may solve your problem. You should format your memory card once a month. But be sure to copy your pictures to a safe place before formatting. I am a professional photographer who takes 10's of thousands of pictures each year and I have not had any memory card failures. I expect that is partly due to using brand name equipment and regularly formatting the card. In fact, I format each card directly after copying the pictures to a safe place and then backing them up to a second safe place.
Anybody can make a mistake and format a card before getting all the pictures to a safe place. If you do, STOP! do not use the card for any purpose. Contact me immediately for recovery. If you do not use the card after formatting, there is a very good chance the pictures can be recovered.
I have a minimum $30 charge to look at your memory card or hard drive and recover your pictures. I will ask approval if it turns out that additional time is needed and I feel success is possible. Picture recovery is never guaranteed since many conditions can cause catastrophic failure of memory cards and hard drives.
Many times memory cards can have pictures recovered if you do not take additional pictures after the failure or formatting. Sadly, hard drives mostly have catastrophic failure but there are times when pictures can be recovered. Email or call me with questions.
You need to have all your data/pictures in 2 safe places in case one of them breaks. When I talk about all your data, I mean all your pictures and anything else you hold dear on your computer like favorites... You can always reinstall your software, so that is not included, but always keep your cd's/dvd's/download instructions in a safe place so you can reinstall easily. I keep a list of all software installed so I can recover quickly. To be honest, I keep a complete copy of my "C" drive up-to-date so recovery is very quick. I've had to use my backups and even though it's no fun, they do work.
I recommend purchasing an external hard drive for your computer along with software that backs up your beloved pictures. You can view my Equipment List to see what I use. Email me with questions.
Friday, February 22, 2008
Monday, February 11, 2008
Thursday, February 7, 2008
Friday, February 1, 2008
The package comes with a handheld wireless transmitter and a wireless receiver to be plugged into the the shutter release port of the camera.
Different from the infrared remote control, the radio-triggered wireless shutter release can work as half-pressed button. In other words, you may let the camera auto-focus before finally taking a shot.
Another improvement over the infrared remote would be the support of the bulb mode. You can obtain an exposure for as long as you wish.
This wireless shutter release has strong anti-interference function and has 16 channels for you to choose. It is extremely useful if there are several photographers working nearby. Each photographer could choose their own channel to trigger off the shutter release of the camera they are going to use without triggering others' because of overlapping signals.
Wednesday, January 30, 2008
Saturday, January 26, 2008
- Start Nvidia Control Panel , move to bottom left of screen
- click on Display
- click on Adjust desktop color settings
- make sure you are in Advanced view
- notice Color channel on right
- Start calibration software
- You may have to alt-tab to get back to the Nvidia Control Panel to make the adjustments
- Use all channels for brightness and contrast adjustments
- use red or green or blue and adjust the brightness to add to the appropriate color channel
- Your monitor should be good
- I use 6500, I know that other color temps are good too.